Mystique or mistaken?

As many have observed about the process of creativity, it is much the case that ‘writing is rewriting’. But once you’ve drafted, and redrafted, then sat on something for a while, and drafted again, and redrafted some more… well, using your own judgement to decide if something is ‘finished’ is not straightforward. This can be a particular problem in the world of social media – and certainly with blogging, where often you are serving as your own ‘editor’.

You may desire to have control over what you produce. However, even when something has been posted off, you endlessly spot things that could have been done in a different way. It’s difficult to know at what point you’ve created something worthwhile. But if you never commit, throwing out everything you ever generate, you’ll never have something on which to build next time. And yet… a bizarre sort of fear lingers that, should you ‘make it’ as a writer, your biographer will go through your rough drafts, exposing your teenage efforts. Not that there’s anything wrong as such with writing when you’re a teenager. It’s just that these developmental pieces are just that – writing for practice, writing to give yourself a marker against which to do better, writing to write out the bad ideas. Anything on the internet has the potential to last indefinitely. This can provoke anxiety about publishing, concern that a mistake might be spotted, or some other writerly embarrassment.

What then is the source of  this discomfort? It is, perhaps, the knowledge that in the modern age, it is difficult to maintain mystique. Through social media it is possible to communicate your every waking thought, if so desired. This is a greatly different experience to that of writers and artists of yesteryear, who were generally releasing into the world only fully-formed, finalised works. The audience did not encounter their creative process – and it was not necessary for them to do so. With the mess of their drafting and editing process never exposed to daylight, it only contributed to an image of writers as deliverers of perfection. The way of the future is likely to be very different, with writers engaging directly with their audiences, further blurring the line between ownership and the finality of a piece.

It is interesting to think about how the reputation of the great novels, so revered today, would ever have been established if every element of their creation had been presented and pored over. Sausages and women – if you want to enjoy the experience, never watch the preparation of either, said Oscar Wilde. There’s a strong case for adding fiction to that list!

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The Madoc Vanguard – Video Kid

The Madoc Vanguard’s latest track, ‘Video Kid’, is now available at YouTube – check out their website at themadocvanguard.co.uk too.

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Twitch

Ever see that particularly true-to-life scene in Family Guy where a house fly is shown buzzing around an open window and doesn’t know how to make it outside?

Wasted five precious lunchtime minutes dealing with a similar situation today. Karma’s still flowing, however – didn’t resort to swatting it…

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Tom Vek – Sherman (Animals in the Jungle)

Image: Tom Vek

Tom Vek is set to release a brand new album on June 9th via Moshi Moshi Records. Over the course of a decade-long career Vek has forged a reputation as one of London’s most enigmatic and exciting musicians. Check out the video for the first track, ‘Sherman (Animals In The Jungle)’ here.

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Go Native – Atom Heart

go_native

Formed in 2013, Go Native have already been making waves on the Manchester circuit, winning praise from New Order’s Peter Hook. Now signed to Scruff of the Neck records, their debut EP, Sleep Patterns, was released earlier this month. Watch the video for the captivating ‘Atom Heart’ here.

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The Mouth of Ghosts – You Will Go Again From Me

themouthofghosts1

The Mouth of Ghosts return in 2014 with a genre-melding EP, You Will Go Again From Me, set for release on 16 March. Check out deliciously dark new track ‘Wrong’ here.

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Blank page, white rage

Sometimes it’s not easy to get started. But you make a start anyway. It would be easier, you reason, not to; to idle away for a while longer. But there’s always something there. Something that wants you to do ‘more’ – to be ‘more’.

You wonder: what is this ‘more’, that something else? Is it to be something ‘greater’, or just to do something ‘different’? To be always on the move – that is one thing. But to arrive… to arrive…

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